THE ARCHIVE

COVER STORIES

In-depth profiles of the filmmakers, writers, and projects redefining the horror landscape.

MAGAZINE ARTICLES

Written explorations of fear, ritual, memory, and the culture that keeps horror alive.

PAST FESTIVAL EDITIONS

Retrospectives on the films, creators, and moments that shaped Sinister’s evolving legacy.

  • ECHOES FROM THE VOID: “What Was Hidden on Page 73”

    ECHOES FROM THE VOID: “What Was Hidden on Page 73”

    When I first found the page, it didn’t look like much. A brittle leaf with ink faded nearly to dust. But once I touched it, once I read it, the ink bled black again. Like veins returning to a corpse.

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  • Varosha – Where the Beachfront Belongs to Ghosts

    Varosha – Where the Beachfront Belongs to Ghosts

    On the sun-drenched coast of Famagusta, Cyprus, just beyond the scent of the sea and the rustle of palm trees, lies a ghost town frozen in time. Varosha, once the jewel of Cypriot tourism, is now a sealed-off relic of paradise interrupted—its streets fenced, its buildings crumbling, and its memories hauntingly intact.

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  • Terror on a Shoestring: Maximizing Horror with Minimal Budget

    Terror on a Shoestring: Maximizing Horror with Minimal Budget

    Horror has always thrived under pressure. From The Blair Witch Project to Lake Mungo, filmmakers with limited resources have repeatedly delivered stories that outlast their big-budget counterparts. Why? Because in horror, atmosphere beats spectacle — and tension costs nothing.

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  • The Coffee Table – Domestic Horror with No Way Back

    The Coffee Table – Domestic Horror with No Way Back

    Some films don’t just make you uncomfortable—they trap you in it. Caye Casas’ The Coffee Table (La Mesita del Comedor) is one of the most nerve-wracking horror experiences in recent memory, not because of what it shows, but because of what it refuses to let you escape.

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  • Am I Pretty? The Legend of Kuchisake-onna

    Am I Pretty? The Legend of Kuchisake-onna

    In the quiet streets of suburban Japan, especially at dusk, children once whispered about a woman in a long coat and surgical mask. She would appear suddenly—sometimes from a dark corner, sometimes blocking your path—and ask a simple question: “Watashi, kirei?” (Am I pretty?)

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